Search results for "George A. Romero"

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"That's Real! That's What You Want!": Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004)

2011

International audience; This article examines traditional oppositions between terror and horror in Dawn of the Dead (1978) and its recent remake (2004), by focusing on one of the major changes made by the producers of the remake: the use of running zombies, which emphasizes the danger the creatures represent to the characters, and enables the film-makers to resort to the kind of cheap startle effects that abound in contemporary slasher and action movies. That the living dead of 1978 were slow-moving allowed for contemplation of their pathetic state and questioned the border between living and dead. The 1978 film underlined how incompatible the living dead were with such techniques that rely…

Hollywood[SHS.LITT]Humanities and Social Sciences/LiteratureLiterature and Literary TheoryVisual Arts and Performing ArtsDawn of the DeadContemplationmedia_common.quotation_subjectfilm aestheticsliving deadremake[SHS.LITT] Humanities and Social Sciences/LiteratureMovie theaterPoliticshorrorState (polity)terrorVerisimilitudeGeorge A. RomeroSociologymedia_commonzombie moviesbusiness.industry[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historyAction (philosophy)AestheticsGeorge (robot)[SHS.ART] Humanities and Social Sciences/Art and art historybusinessMusic
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La guerra de sexos en las comedias románticas de Howard Hawks:La fiera de mi niña (Brining Up Baby, 1938), Luna Nueva (His Girl Friday, 1940), La nov…

2021

Howard Hawks, plantea el enfrentamiento entre los sexos en buena parte de su filmografía. Comedias románticas, western o cine de aventuras comparten esta guerra de sexos que se inicia con una antipatia mutua entre los protagonistas que va evolucionando a medida que la pareja se ve inmersa en sus aventuras para transformarse en amistad, atracción, y finalmente amor. Cuatro de sus comedias La fiera de mi niña (Brining Up Baby, 1938), Luna Nueva (His Girl Friday, 1940), La novia era él ( I Was a Male War Bride, 1949) y Su juego favorito (Man´s Favorite Sport, 1964) plantean la guerra de sexos a través de una inversión de roles sexuales; mujer-activo /varón-pasivo que finalmente revierte a mode…

patriarcadoVisual Arts and Performing Artsremake“UNESCO:HISTORIA”cine de terrorgeorge a. romerozombi
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